Marva Whitney - Unwind Yourself This excerpt is taken from a 1968 funk recording. Although this solo record by Marva Whitney was not a chart hit, it was later sampled numerous times by diverse hip-hop artists. This intro section lasts from 00:00 to 00:15 and introduces the drum beat for 4 bars, before a characteristic baritone saxophone lick is introducend in bars 5 to 8. In comparison to KAM and Median-Filtering, our method delivers more natural sounding kick, snare and hi-hat sounds. However, the long reverb tail of the snare gets erroneously assigned to the harmonic component. Using score-information remedies this problem but also leads to more pronounced leakage of the saxophone line in the percussive component. |
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@inproceedings{DittmarLM18_HPSS_KAM_NMF_ICASSP, author = {Christian Dittmar and Patricio L{\'o}pez-Serrano and Meinard M{\"u}ller}, title = {Unifying Local and Global Methods for Harmonic-Percussive Source Separation}, booktitle = {Proceedings of the {IEEE} International Conference on Acoustics, Speech, and Signal Processing ({ICASSP})}, address = {Calgary, Canada}, month = {April}, note = {accepted for publication}, year = {2018}, }
@article{EwertPMP14_SourceSeparation_IEEE-SPS, author = {Sebastian Ewert and Bryan Pardo and Meinard M{\"u}ller and Mark Plumbley}, title = {Score-Informed Source Separation for Musical Audio Recordings: An overview}, journal = {IEEE Signal Processing Magazine}, volume = {31}, number = {3}, year = {2014}, month = {April}, pages = {116--124}, url-pdf = {http://ieeexplore.ieee.org/document/6784086/}, }
@inproceedings{FitzgeraldLRPD14_KAMHP_IET, title = {Harmonic/Percussive Separation Using {K}ernel {A}dditive {M}odelling}, author = {Derry FitzGerald and Antoine Liutkus and Zafar Rafii and Bryan Pardo and Laurent Daudet}, booktitle = {Irish Signals and Systems Conference ({IET})}, pages = {35--40}, address = {Limerick, Ireland}, year = {2014}, url-pdf = {http://ieeexplore.ieee.org/document/6912726/}, }
@inproceedings{DittmarDMP16_WienerFiltering_EUSIPCO, author = {Christian Dittmar and Jonathan Driedger and Meinard M{\"u}ller and Jouni Paulus}, title = {An Experimental Approach to Generalized Wiener Filtering in Music Source Separation}, booktitle = {Proceedings of the European Signal Processing Conference ({EUSIPCO})}, address = {Budapest, Hungary}, year = {2016}, pages = {}, url-pdf = {http://ieeexplore.ieee.org/document/7760547/}, }
@inproceedings{Fitzgerald10_HarmPercSep_DAFX, author = {Derry FitzGerald}, title = {Harmonic/Percussive Separation Using Median Filtering}, booktitle = {Proceedings of the International Conference on Digital Audio Effects ({DAFx})}, address = {Graz, Austria}, year = {2010}, pages = {246--253}, url-pdf = {http://dafx10.iem.at/papers/DerryFitzGerald_DAFx10_P15.pdf}, }
@Article{ParkSL17_HPSS_NMF_IEEE-TASLP, author={Jeongsoo Park and Jaeyoung Shin and Kyogu Lee}, journal={{IEEE/ACM} Transactions on Audio, Speech, and Language Processing}, title={Exploiting Continuity/Discontinuity of Basis Vectors in Spectrogram Decomposition for Harmonic-Percussive Sound Separation}, year={2017}, volume={25}, number={5}, pages={1061--1074}, month={May}, url-pdf = {http://ieeexplore.ieee.org/document/7876808/}, }
@inproceedings{LiutkusB15_WienerFilter_ICASSP, author = {Antoine Liutkus and Roland Badeau}, booktitle = {Proceedings of the {IEEE} International Conference on Acoustics, Speech and Signal Processing ({ICASSP})}, title = {Generalized Wiener filtering with fractional power spectrograms}, year = {2015}, month = {April}, pages = {266--270}, address = {Brisbane, Australia}, url-pdf = {http://ieeexplore.ieee.org/document/7177973/}, }