Alexander Heinmüller
This page contains demonstration material supporting the following paper:
@inproceedings{ObjectivesPostFiltering,
author = {Alexander Heinm\"uller and Andreas Brendel and Pablo M.\ Delgado and J\"urgen Herre},
title = {Comparing Training Objectives for Neural Post-Filtering of Coded Music},
booktitle = {International Workshop on Acoustic Signal Enhancement (IWAENC)},
year = {2026},
}
Neural post‑filters are an effective tool for improving the reconstruction quality of audio codecs, and hence, numerous models have been proposed in the literature. We compare several training paradigms--discriminative training, generative adversarial networks (GANs), score-based diffusion (SD), and conditional flow matching--for post-filtering speech and music, and we evaluate the resulting quality improvements across different perceptual audio codecs. We show that GANs can achieve music quality similar to that of SD models at a fraction of the computational complexity. Since the characteristics of a music signal are relevant for the performance of a codec, we further investigate how neural post‑filters behave across different signal types.
This demonstration material was generated with items from the publicly available ODAQ dataset [1].
For each item, the following conditions are included:
Music A
Music B
Violin
Choir
Snaps
[1] Torcoli, M., Wu, C. W., Dick, S., Williams, P. A., Halimeh, M. M., Wolcott, W., & Habets, E. A. (2024, April). ODAQ: Open dataset of audio quality. In ICASSP 2024-2024 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)